Also available on Sharp X68000, PC-8801, PC-9801, TurboGrafx-CD, Genesis, Famicom, and PlayStation 2
Ys is a series that I've only recently gotten into but that I've really come to love. I (relatively) recently played the original Ys on Sega Master System and the combined release of Ys Book I & II on TurboGrafx-CD and absolutely loved both, especially the latter. It was with great excitement, then, that I started Ys III on Super Nintendo, expecting a great game despite the so-so things I'd heard about it. Truth be told, I wasn't disappointed.
The first thing that players will notice is that the battle system is completely different. Ys III plays as a much more traditional side scrolling action RPG as opposed to the distinct "hump your enemies to death" bump combat of the first games. This is the aspect of the game that seems to be the most divisive among players; a lot of longtime Ys fans don't like the shift to a more traditional combat system whereas more general ARPG players see it as a welcome change. Personally, I fall into the former category, being partial to the bump mechanics, but the combat was at least fairly well done in Ys III. Speaking just for this Super Nintendo release, there were a few instances - particularly with Ballacetine Castle and the final boss - where I felt that the hit detection could have used some work, but by and large, I didn't have any mechanics complaints about the game.
Ys III takes place after Ys II chronologically, but other than having Adol return as the protagonist, there isn't really any storyline connection between the two games. "His adventures" are mentioned vaguely, but knowledge of the events of the first two games are definitely not necessary to enjoy Ys III. To be honest, that was a negative for me as I'm big into world building and continuing stories, but it also makes sense given that, at least in North America, this was the first Ys game to which Nintendo players had access without also having a Master System or TurboGrafx-CD. I've heard that the PSP (and, later, Windows) remake of Ys III, Ys: The Oath in Felghana, has a much expanded story, so that might remedy some of the lack of direct connection to the first two games, but I haven't played that yet, so I can't speak to that.
Being a 16-bit game as opposed to the 8-bit version of the original Ys that I first played on Master System, the visuals and sound design in Ys III are fantastic. Especially with visual effects, Falcom really went above and beyond with this one, finding the right balance of what visual effects of the Super Nintendo to use and the degree to which to use them to enhance the experience without doing so much that the visual effects distract from the game itself as some games do. The soundtrack was also extremely well done despite the limitations of 16-bit cartridge systems. When played through a soundbar and subwoofer, the boss battle music especially is epic, more so than many sidescrolling games of the era. It obviously doesn't hold a handle to the TurboGrafx-CD release of Ys Book I & II, but it's definitely one of the more impressive Super Nintendo sountracks in my opinion.
All in all, Ys III is a competent addition to the series even if an unconventional one. The exclusion of bump combat may come as an unwelcome change to fans, but if a replacement system was going to be used, at least it was - for the most part - well implemented. The visuals - especially the anime-esque scenes at the very beginning and very end of the game - are very well done, and with the right sound system and stereo separation, the game's music sounds fantastic. I can't speak to the superiority or inferiority of other versions of the game, but at least as far as the Super Nintendo release goes, it may not be a masterpiece, but it's a solid action RPG, although it is worth noting that the very end is...brutal.
My Rating - 4 Neps
Also available on OSX
This is a...unique game. It's essentially a Western visual novel that harkens back to the early 2000s when AIM was the supreme instant messaging platform and you were a loser if AOL wasn't your ISP. It also could have been appropriately titled Teen Angst Simulator 2015. Just a little while, I forgot I wasn't in middle school anymore.
The whole game takes place on AIM in conversations spanning five years between you and Emily from your last year of high school to your last year of college. There's not really a purpose, per se, as the game is wholly slice of life, but wasn't that most of our AIM conversations? Talking to friends from school about stuff that didn't matter and awkwardly trying to flirt while having no idea how? The game seems a lot more straightforward than it is; there are numerous branching paths in the story and dialogue based on everything from the obvious like your dialogue choices all the way down to the seemingly insignificant like your icon and text color.
The biggest thing the game has going for it is the nostalgia factor. That's not to say that the rest is bad, but it took me less than half an hour to finish a playthrough, and while the different dialogue choices give it some replay value, it's just too short for me to fall in love with it. That nostalgia, though...I seriously miss being a kid with just a dial-up connection using AOL 4.0 on a Dell with a MASSIVE 32 GB hard drive and 128 MB of RAM. Teenagers today won't appreciate this game since they wouldn't have the fond AIM memories that folks my age and a little older do, but for those of us who remember going through school with AIM and AOL, this is a trip down Memory Lane, awkward angst and all.
Since it's free, Emily is Away is definitely a game that everyone should check out, and since you can get through it in half an hour or less for a single playthrough, there's not a whole lot of a time investment involved. Your age is definitely going to affect how much enjoyment you get out of it - if you're 40+, you probably won't have the same kind of nostalgia, and if you're younger than 20, you definitely won't - but for folks in that age range, it's a pretty unique experience, and most games don't play to that particular kind of nostalgia, at least not as the core concept. It would have been nice to see a little more meat per playthrough, but it's free, so you really can't complain too much. Give it a shot; if you really like it, there's a $5 sequel, though I've not downloaded that yet.
My Rating - 3 Neps
Also available on OSX and Linux
After finishing the first Sunrider game, I couldn't WAIT to start the sequel. I was hooked hard and just HAD to know what happened next. Sunrider: Mask of Arcadius was awesome, so surely Sunrider: Liberation Day would be even better, right? Yeah, not so much.
Liberation Day picks up right where Mask of Arcadius left off - the preparation period before the Combined Fleet was set to liberate Cera from PACT control. The gameplay is pretty much identical to that in Mark of Arcadius, although there's a distinct drop in the stability of the game. I had multiple crashes and near-crashes where the game would abruptly stop and take 20 or 30 seconds reloading the scripts before letting me continue. One of these instances was particularly irritating as I had just tried to use the Vanguard cannon when it crashed. Upon reloading, it has deducted my command points but done no damage to any of the enemy ships. Not only that but the animation of the cannon's attack would flash on screen in an endless loop every three seconds no matter what I did. Other times, the available movements would fail to show on screen. Sometimes it would render duplicates of every enemy on the map but without any stats or hitboxes; essentially empty sprites that can't move or be attacked but still show on screen. That's basically how the whole game felt - the same as the original but less refined and a bit broken.
One thing that did definitely improve since Mask of Arcadius was the art. The characters have a much less amateur feel to them and generally look better all around. The option to switch between Japanese and English dialogue in battles was a nice touch as well. It's a shame, however, that the for all the improvement in the art quality, the writing quality saw an equal decline, especially at about the halfway point. Maybe the plethora of bugs had made me a bit jaded about the game in general by that point, but the writing started to feel a bit uninspired and drab after a while as if the writers had lost inspiration and just kept writing to finish for the sake of a deadline. Given how much the story sucked me into the first game, that was a supremely upsetting shift in quality. Not only did the writing cease to be nearly as engaging as it was previously, but in the epilogue of sorts, they completely start contradicting things previously established. I won't give anything away in case anyone decides to play through this, but suffice it to say that time travel is involved, and the rules of temporal mechanics that the game establishes for its universe are promptly disregarded like an hour later; not only are those rules disregarded, but they're explicitly contradicted more than once. That's a more minor sci-fi nerd nit pick, I know, but as some of my friends can attest, that stuff REALLY irks me.
I know I mentioned the various crashes and bugs earlier, but those more specific things aren't the only performance issues I encountered. There was significant and general system slowdown when I launched the game - slowdown on a system with no other applications running except the general background stuff, a GTX 980 card, and a quad core processor running 4 GHz per core. Under no circumstances should a damn visual novel cause major slowdown and sluggish performance. Everything just gave the impression that the game wasn't as well optimized as the first one and hadn't been put through nearly enough testing and QA before release or after release.
All in all, Sunrider: Liberation Day isn't a bad VN, and assume one could play it without being horribly confused by missing the context from the first game, it would probably come off as a perfectly acceptable low budget game. The problem is that with only a couple exceptions, the overall quality takes a hit from the first game. The presentation is better, but that presentation very quickly gives way to the plethora of flaws lying underneath. Between that quality decline and the huge parts of the plot left completely unresolved by the end of the game, it just leave a lot to be desired. If you've gone through the first game and see this one on sale, I'd still recommend it, but it's not one that I'd go out of my way to play.
My Rating - 3 Neps
Panzer Dragoon Saga is a legendary game for a lot of reasons. It's a "holy grail" tier game for collectors - as of this posting, a complete copy in good condition can sell for more than $600 - as well as an extremely rare game even at launch with only around 50,000 produced for the North American continent. Couple that with being exclusive to a commercially disastrous console and a lost source code ensuring it would never be ported or re-released, and you've got a perfect recipe for a game that's as much myth as anything else.
Panzer Dragoon Saga is the third of the three Panzer Dragoon games on Sega's Saturn console, and it's a departure from the rest of the series in that it's the only game that isn't a rail shooter. Panzer Dragoon Saga - known as Azel: Panzer Dragoon RPG in Japan - is, as the Japanese title suggests, a role playing game. You play as Edge, a young mercenary in the employ of the Empire to help guard an Ancient Age excavation site from monster attacks. At this dig site, a most unusual discovery is made - a woman, seemingly in a state of suspended animation of some sort, embedded in the rock wall. When the site is attacked by the Black Fleet, a formerly-Imperial fleet under the command of the traitor Craymen, the mysterious woman is stolen and Edge's friends and comrades massacred. Edge manages to escape with the help of a mysterious dragon and sets off on a quest to hunt down Craymen and avenge his friends' murders. Little does he know that he's been thrust into a struggle in which the fate of the entire human race is at stake.
Panzer Dragoon Saga is one of those once-in-a-generation games that breaks down the barriers of what a genre or game should be and stands as a true masterpiece of the craft of game design. While it was not the first game to do so, the way that Panzer Dragoon Saga blends traditional RPG turn based combat with real time combat is unique and utterly addicting. Team Andromeda did an exemplary job of retaining the series' shooter mechanics while making it fit perfectly with an RPG. In general, the combat is real time, but your character has three action gauges that fill over time depending on your agility stat (you can redistribute your dragon's 400 stat points between Attack, Agility, Defense, and Spirit at will to a max of 200 per stat). When a gauge is full, you can press A to have Edge attack with his gun, stopping time to allow you to pick a target; press B to have your dragon lock on to the nearest targets and unleash a volley of lasers; or press C to open up the menu from which you can choose Edge's gun, the dragon's lasers, an item (restorative, for example), or the list of the dragon's "Berzerk" attacks which use multiple gauges but deal devastating damage. You also have to know your enemies; some enemies are resistant to gun attacks while others are resistant to laser attacks. Some enemies also have weak spots where an attack will deal catastrophic damage. This isn't happening on a stagnant field, however; you must be mindful of your position in relation to the enemy, either in front of, behind, or to either side. You have an indicator that shows you your position in relation to the enemy as well as the danger of your position by a color code; a green area means that the enemy cannot hit you there, a clear area means that you are in range of the enemy's normal attack, and a red area means that you are in range of a powerful enemy attack. Your action gauges do not charge while you are repositioning, and sometimes the only way to exploit an enemy's weak spot is to move into a red zone. Careful timing and strategy are at the heart of Panzer Dragoon Saga's combat, and it's what makes the combat so brilliant and addicting.
It's no secret to those familiar with fifth generation consoles that the Saturn was not a 3D powerhouse, but Team Andromeda pulled off some visuals that I didn't know the Saturn was capable of. While the draw distance leaves a lot to be desired, and there's some slowdown in certain areas, the visuals are fantastic for the era, and easily on par with PlayStation RPGs. This game feels every bit as epic as the legend that's come to surround it with a game world entirely in 3D including the combat, fantastic voice acting (the American release has Japanese voice acting with English subtitles), and some truly great albeit heavily compressed FMV cut scenes. While the series never did match the stellar soundtrack of the original Panzer Dragoon game, Saga does feature some fantastic music that really set the tone for the game and keep the adrenaline high in battle. The game is also replete with secrets including secret dragon evolution types that would be extraordinarily difficult to stumble on accidentally. Unfortunately the game is not compatible with the Saturn cartridges, making this one of the few Saturn games that aren't particularly import friendly even for those who can read Japanese. That's a shame, as well, considering that a Japanese copy of the game is only around 5% the price of an American copy - roughly $30 as opposed to roughly $600.
Panzer Dragoon Saga truly is a special game. A lot of praise gets heaped on Final Fantasy VII and Final Fantasy VIII, and while I've not played the latter, I truly think that Panzer Dragoon Saga takes the title not only of "Greatest Sega Saturn Game" but also "Greatest RPG of the Fifth Console Generation." I firmly stand by that. The characters themselves may not be quite as memorable as those of other RPGs of the era, but the story has a grandiose feeling that makes you feel like you're playing a legend, and that's not even talking about the mythical status of the game itself in terms of value and rarity. Normally, I disparage emulation when used in lieu of legitimate game ownership, but this is one situation where I'm 100% okay with it. Panzer Dragoon Saga is a RIDICULOUSLY rare and expensive game, and while it's definitely the prize jewel of my collection, I'm not going to recommend anyone plop down a month's rent on one 20 year old game. By all means, emulate this - modern Saturn emulators are fairly stable and accurate, at least where this game is concerned - but this is a definite must-play for any 90s RPG enthusiasts. Its greatness really cannot be overstated, and even with the praise with which I'm lavishing it, I'm not even doing it justice. This game is a true masterpiece.
My Rating - 5 Neps
Also available on Linux and OSX
Hooooolllyyyyyy crap. The phrase "you get what you pay for" has no place in the same discussion of this fan-damn-tastic visual novel, that's for sure. Sunrider: Mask of Arcadius is a game that's not quite like anything I've played in the past. It's about 60% visual novel and 40% sci-fi mech tactics game. Best of all, it's free. I think it was originally just called "Sunrider" but had the title changed when a second half was added or something. I don't know. The title screen just says "Sunrider," but it's called "Sunrider: Mask of Arcadius" in Steam. You know, for when you go download it. Because it's free. And it kicks ass.
I'll address the two different genres the game hits in their own separate sections, but first let's take a look at the plot. Without giving too much away, you play as a dude named Kayto Shields, and you've been given your first command of a starship in the Cera Space Force - the Sunrider. It's a new, state-of-the-art battleship in the small planetary defense force of Cera, one of the planets in a region of the galaxy known as the Neutral Rim, named so because the planets there remain unaffiliated with either PACT or the Solar Alliance, the two major galactic powers. PACT is a relatively new power, having arisen when it overthrew the New Empire's tyranny and assumed control of its planetary holdings. Unfortunately for the Neutral Rim, PACT didn't stop there, soon beginning a quest for galactic conquest. After approximately five minutes of being in the captain's chair, your ship's sensors detect a PACT fleet warping in. They promptly annihilate the Cera Space Force, nuke the capital, and claim victory. Narrowly escaping the PACT fleet by fleeing to a neighboring neutral planet, you and your find yourselves the last remaining Ceran vessel and without a government. Thus begins the lone wolf quest to build a galactic coalition (hopefully including the galaxy's other superpower) to drive PACT out of the Neutral Rim and reclaim Cera as an independent planet. Oh, and all of the allies you find are perfect waifu candidates. Because of course they are. ^_^
I'll now turn our attention to the tactics part of the game. Whenever the Sunrider finds itself in combat, rather than tell the story of the battle as most visual novels would, it shifts to a format that looks a lot like a small scale battle in Civilization. The area of space you're fighting in is broken into a 2D hexagonal grid in which the battle is fought by taking turns. Each of your ships has a certain amount of energy that can be used for various types of attacks, buffing and debuffing abilities, or movement. Your objective will usually be "kill all the bad guys," but every now and then, you'll have a more specialized objective. "Survive six turns" or "Get the cargo ship safely to the right edge of the map," for example. The difficulty can be adjusted on the fly, so if you decide that your battles are too easy, you can increase the difficulty at any time; conversely, if you find yourself unable to succeed in a battle despite multiple attempts, you can lower the difficulty and either leave it there or raise it back after that battle. The game is designed to be extremely approachable in that regard because as fun as the combat is, the story is the real star of the show here.
The visual novel aspect of Sunrider is at once both its strongest and weakest point. It's written in such a way that you really get sucked in and interested in the characters and their struggles. Unfortunately, the translation is a bit sloppy with various typos and grammatical mistakes strew throughout. It's certainly not a constant thing, but I'd guess that probably 3% of the dialogue has some kind of minor typo. For a 15 hour VN, however, that does add up. The English voice acting - thankfully only used during battle when a character moves or attacks - is also....not great. Some of it is fine, but it's reaaaally hit or miss. One character in particular is a goofy girl and references a few ten year old memes in her lines. It's cute, but it's also a bit lame. Cringe level lame. You get past it, though, and if you don't, there's always the option to mute the voices. The art also looks a bit amateur. In fairness, it's only this studio's second game, and IS free, so there's only so much room to complain, but it is worth noting.
One thing that does need to be addressed is the game's use of H scenes. If you don't know what that is, then you're probably not a big fan of Japanese visual novels, but in short, it's the NSFW scenes. Being sold through Steam, the game is obviously censored with nothing explicit visible. The devs do have a "decensorship patch" available on their site and instructions on how to install it if you so choose. Wanting the experience to be the way the developers and writers intended (and being a perv), I installed the patch. What I was pleasantly surprised to discover, however, is that at no point does this visual novel approach eroge territory. Yeah, there are some nipples in a few scenes, but it's not done in an erotic sense but rather in a true-to-life sense. There's a scene where one of the women is lost in thought about the fate of her homeworld in the shower, so naturally, there's some nipple visible (though the camera stops at her abdomen). The story itself doesn't actually call attention to it; they just don't shy away from it, either. It's just there. It's part of life. Granted, the scenes like that could have been written in different settings, but part of what made those scenes a breath of fresh air is that it's one of the very few examples I've seen use human nudity in a very natural, organic way with the story-telling rather than trying to shoe horn in some sex for the sake of getting horny teenagers interested. It would be like looking at Botticelli's "Birth of Venus" or Michelangelo's "David" in an erotic sense. Yes, you can see Venus's nipple; yes, you can see David's penis. It's done for the sake of depicting the nature of humanity in the art, though, not for the sake of any eroticism.
Sunrider is a visual novel that, despite its amateurish artstyle and less-than-stellar (no pun intended) translation, truly did impress me, and it did this with a regular price tag of $0.00. The story it told, while not completely original or anything, was told well with characters that I found interesting. The surprise of finding a tactical combat aspect to the game made it even more impressive; it made the game downright fun rather than just an interesting and immersive read. Granted, I'm a big fan of visual novels in general, so I'm probably a bit easier to please than most when it comes to the genre, but I really did enjoy this game immensely. The only thing keeping it from being a 10/10 homerun in my book is the aforementioned issues with translation and voice clips. Despite that, though, it was still damn good, and I still HIGHLY recommend it to everyone. I mean, you LITERALLY have nothing to lose; the damn thing's free!
My Rating - 4 Neps
Panzer Dragoon II Zwei is everything a sequel should be...except rationally named. I mean, the title literally means "Panzer Dragoon Two Two." They should have picked "II" or "Zwei," but both is just silly, so I'm going to stick with Zwei because German makes everything better (well, except for those two world wars...). That, however, is irrelevant to the actual game which is truly fantastic. It takes (almost) everything about the original Panzer Dragoon and makes it better. Almost everything. Unfortunately my disc decided to freeze at one particular spot in level four consistently, so I had to finish my playthrough on an emulator, but at least that means I got to capture my own screenshots for this one.
In Panzer Dragoon Zwei, you play as Jean-luc Lundi, some random kid in a ridiculously superstitious village that has a strict policy of killing any mutated lizard beasts they see, believing the soft glow from the bioluminescence mutation is an omen of ill fortune. Jean-luc finds an even more unusual mutant one day, though; a specimen that not only displays bioluminescence but that also possesses wings. Unable to bring himself to kill this unique creature, Jean-luc hides it in his shed. Because being imprisoned in a small 5x5 wooden shack is definitely preferable to death or just being chased away. Anyway, he names the young wyvern Lagi and, once Lagi's wings develop, tries to teach him to fly. It's on his way back from one such flying exercise that a massive airship annihilates Jean-luc's village in an attempt to kill Lagi. At this point, Lagi goes super Saiyan or something and starts shooting lasers out of its mouth. Unfortunately these lasers don't even come close to hitting the airship, and thus beings the game with the sole objective of "Kill the airship that rekt my village."
Panzer Dragoon Zwei is a dramatic improvement over its predecessor in almost every way. The control is SIGNIFICANTLY more fluid and refined, and the visuals almost look like a different platform entirely. The game runs smoother, the textures are higher resolution, the video compression is of a much better quality, smoother animation, an almost complete lack of excessive pixilation even on detailed models, and the environments all look more detailed and immersive. Literally the only area in which I felt Zwei fell short of the original is the soundtrack. The first Panzer Dragoon's orchestral soundtrack is the stuff of legend, especially for the mid-1990s. That's not to say that Panzer Dragoon Zwei's soundtrack is garbage or anything. Zwei has a great soundtrack with some very fitting and well composed music. It just doesn't match the greatness of its predecessor's OST, and while that's a shame as it's the sole blemish on an otherwise universal improvement, those were some awfully big shoes to fill, so it's not too terribly surprising that it fell a little short.
With regards to gameplay, the game is a rail shooter that plays exactly the first one in terms of control, but there are a couple of key differences that make Zwei something different and make it apparent that Team Andromeda took player criticism of the first game into account when making the sequel. Despite my rather sarcastic synopsis of the story above, the writing and narrative were clearly given much more attention in Zwei than in the original. The cutscenes between levels offer more insight into the world and the plot unfolding, and the production values of the cutscenes are a marked improvement. Your dragon's form can also change depending on how you play. The biggest improvement to the experience, however, is the inclusion of branching paths. Depending on how you play each level, you will take different routes that while not affecting the story directly do affect your experience and the difficulty level. This one change added a lot of replayability to a game in a genre that usually lacks much at all in the way of replay value.
Panzer Dragoon II Zwei, despite having a repetitive name, is everything a sequel should be. It takes the formula of the original game and fixes control issues, improves visuals, adds in new gameplay mechanics, and fleshes out the narrative to give the player an all-around better experience than the first game could provide. It's worth noting that the music took a hit in Zwei, not even approaching the grandeur of the original game's soundtrack, but with that one exception, Zwei improves on Panzer Dragoon in every way. If the first game was worth playing, Zwei is a must have for Saturn collectors. The North American copy can be a bit pricey, going for $50 or so last I checked, but a Japanese copy can be had for $15 or $20, and while you might need to look up the story online, the actual gameplay wouldn't present any language barrier. Highly recommended.
My Rating - 4 Neps
Also available on 3DS
Teyon's at it again with a sub-par WiiWare rail shooter with Heavy Fire: Black Arms, this time set in South America instead of east Africa. Fortunately, Teyon learned something, releasing a game that improves over its predecessor in a number of ways; unfortunately, that bar wasn't set very high, and Teyon only moves it up a little bit with Black Arms. It's like moving from getting 100 lashes to getting 90 lashes - yeah, it's better, but it still sucks.
The first improvement that Black Arms makes over Special Operations is with visuals. It still doesn't look amazing for the Wii, but the textures do seem to have had a little more care put into them this go around. The environments still aren't amazing or anything, but they're a definite improvement over the Gamecube-esque visuals in Special Operations. The enemies are also much better designed this time. They still have the accuracy of Imperial stormtroopers, the model detail of a mannequin, and the intelligence of the current president of the United States, but there are a reasonable amount of them in pretty appropriate placements rather than a million and a half of them literally everywhere. It makes for a much more durable suspension of disbelief. The sound design is also better, although it's still pretty terrible. There's still absolutely no "oomph" to the weapons' firing sound effects, but at least I could tell a difference when I turned off my subwoofer. Now it just sounds like a flute instead of a piccolo. All in all, the game makes a decent first impression, especially if you have Special Operations as a craptastic point of reference. Unfortunately, you quickly see that the first impression is about as good as it gets, and the honeymoon period ends about halfway through the first stage.
Despite these improvements, however, Black Arms is still with Special Operations as a bottom tier rail shooter. Granted, it's at the top of this bottom tier now instead of instead of the bottom of the bottom tier, but it's still not a good game, and while it's definitely worth one penny more, $5 might be a fair price for this one. Other than the improvements I mentioned above, it's basically the same as the original but in South America. A little more polish, a little more detail, a little more care, but minor improvements still won't fix a product of quality this low. There is, at the very least, SOME entertainment to be had here, and it might even be almost fun if you played with a friend (especially if you and that friend are drunk), so as I do with my students, I have to give the game some credit for at least improving over the series' past performance.
My Rating - 2 Neps
Also available on 3DS
The low resolution WiiWare icon I used above is incredibly fitting for this game. There's a lot of shovelware on the Wii in general, and there's a LOT of shovelware on the WiiWare service, but Heavy Fire: Special Operation is an especially heinous type of shovelware; it's the kind of shovelware that looks and sounds like it could be moderately entertaining and then fills you with severe buyer's remorse. It's only 500 Wii points, but that's about 500 too many.
Special Operations is the first title in the bafflingly existent Heavy Fire Series, beginning as a WiiWare exclusive in 2010 before getting ported to the 3DS eShop in 2012. The game is a rail shooter that's kind of in the style of arcade shooters but without any of the fun. You start off with a semi automatic pistol and "rank up" based on how many points you score in each level, and each rank gets you a new weapon. The problem is that except for the move from semi auto to auto after the pistol, they're all pretty much identical. Each level has a bigger magazine, and some of the higher level weapons let you reload by pressing A instead of shaking the Wiimote, but that's it. Every weapon kills in one hit. Every weapon has roughly the same fire rate. It's a mess. You die after being shot three times, and while there are checkpoints, you've got a limited number of continues. While that, in general, isn't a problem, it seems totally arbitrary who's going to hit you and who isn't. Sometimes a guy will be on screen for a full 30 seconds before I get around to killing him without shooting me once; other times, a guy will hit me after three seconds of being on screen. They also throw an entire army at you. The game takes place in Somalia, and I think I killed the actual population of Mogadishu during my one playthrough. It gets silly and ridiculous fast.
Just about the only thing that this game has going for it is that performance stays pretty consistent, but given that the game looks like it could run on the Gamecube, that's not really saying much. I know the Wii isn't an HD system, but this game just looks terrible. Not quite as bad as Farcry Vengeance, granted, but it's not a whole lot better. The sound effects, as well, are truly abysmal. All of the guns sound the same - completely artificial and without any "oomph" whatsoever. Some games have gun sound effects that at least sound halfway like they're supposed to, but that's not the case here. Not in the slightest. The gun sounds are also almost completely treble. I turned off my subwoofer and heard almost no difference. Someone correct me if I'm wrong, but aren't high caliber guns supposed to have SOME kind of bass or "oomph" to them?
Heavy Arms: Special Operations is a WiiWare rail shooter in as much as Mehmet Oz is a doctor - yeah, technically, but it's literally the last place you should look if that's what you need. The visuals are atrocious, the sound design if horrid, and gameplay is as shallow as rich white boy in a college fraternity. Even at $5, this game is a complete waste of money, and that's coming from a guy who LOVES rail shooters. Not even 2 player cooperative multiplayer can redeem this wretched excuse for a game.
tl;dr - you'd have more fun drinking a bleach cocktail.
My Rating - 1 Nep
Contra Rebirth is one of Konami's "rebirth" games along with Castlevania Adventure Rebirth and Gradius Rebirth, taking their respective series back to their 2D roots from the 8-bit and 16-bit eras. Contra Rebirth takes everything that made its 8-bit and 16-bit predecessors amazing and modernizes it. the result is an exemplary game that is well worth the $10 asking price.
Contra Rebirth a side scrolling shooter featuring some bizarre storyline about which absolutely no one cares involving future aliens going into the past to invade primitive past Earth, forcing the galactic president to send future Super 'Murica guys into the past to shoot everything with a pulse. The gameplay is definitely this game's strongest aspect; it's all the great run-n-gun action that you remember from the NES Contra, although it is muuuuch more forgiving than its ancestors. Like I mentioned in my review for Castlevania Adventure Rebirth, Contra Rebirth features three difficulty settings (although stage 6, the real final boss, and the true ending can't be unlocked on Easy) as well as the option to increase your number of lives up to a maximum of seven.
The visuals are great, bringing bright colors and well designed sprites while keeping true to the feel of the original games. The music is similarly spectacular, the soundtrack being comprised of remixes and new arrangements of old and classic Contra tunes. The game also, thankfully, carries the mid-stage checkpoints and unlimited continues over from Castlevania Adventure Rebirth. The hit detection can, at times, be a bit spotty as there were a couple times I think my shot should have hit an enemy but a lot of times that an enemy's shot definitely should have killed me. That said, though, those instances weren't extraordinarily common in my playthrough, and the addicting fun of the game more than makes up for a few mechanical flaws.
Contra Rebirth is a fantastic game for $10 and really showed the potential of the WiiWare platform when developers really used it well. It's a bite sized game that can serve as a low-cost entry into a series that you might either have missed out on back in the day or just didn't have the skill level to enjoy fully. It's a bit on the short side, but $10 is a very fair price for an addicting 2 player experience with four playable characters and six stages to fight through. Fans of Contra and fans of the Wii need to make sure to check this one out.
My Rating - 4 Neps
This review is dedicated to my BFF Colin and his gift of Castlevania Adventure Rebirth. Ours is a bromance so strong not even Dracula could come between us. <3
Remember WiiWare, Nintendo's underappreciated download service for Wii games? Konami put out a short "rebirth" series on WiiWare with remakes of three of entries from their old flagship series - Castlevania, Contra, and Gradius. As the title suggests, this is a remake of the Game Boy title Castlevania Adventure.
With respect to plot, as a remake of Castlevania Adventure, the protagonist is Christopher Belmont, a descendent of Trevor Belmont from Castlevania III and an ancestor of Simon Belmont from the first Castlevania. While it is a remake of the Game Boy title, it's not a straight remaster but rather a full reimagining in the same way that Super Castlevania IV was a complete reimagining of the original Castlevania. Whereas the Game Boy title had four stages, there are six stages in Rebirth (really, though, there are five; stage six is just the Dracula fight), and all of the stages are very much their own thing rather than a copy of the original game's stages. The music is done in a similar way; there are remixes and adaptations of music from previous entries in the Castlevania series, but they all feel fresh, new, and unique. All in all, despite being a remake, this feels like a completely new and unrelated game in the series, and I mean that in the best way possible.
Being on Wii, this game obviously won't give you a high definition picture, but that's not to say that it looks bad as that is far from the case. Castlevania Rebirth is one of the Wii games that proves that there's more to a good looking game than resolution. While a 720p or 1080p image certainly would have improved things, the game looks fantastic, keeping true to its 2D sprite roots while adding the visual effects and smooth gameplay one would expect from a modern game. As was the case with the original Castlevania Adventure, Castlevania Adventure Rebirth doesn't try to do too much. Konami clearly knew the system they were developing for, knew what it could and couldn't do, and made the best product they could with the resources they had. The backgrounds and enemy sprites all look fantastic, the bosses are well designed both visually and mechanically, being challenging but fair and looking great but not taxing enough on the system hardware to cause slowdown.
The only big complaint that I have with the game is that stage 5 felt a bit rushed with regards to QA. In the four previous stages, checkpoints were placed in logical places in roughly equal distances from one another, giving the game a very well paced vibe that gives you the feeling that you're steadily progressing. Stage 5, on the other hand, feels much more hastily done with regards to checkpoints and powerups. The checkpoints are spread far apart and in seemingly haphazard locations, leading to a dramatic spike in difficulty from stage 4. Also during the first four stages, food to restore your health isn't particularly common, but it could still be found in a couple of places through the levels; I didn't find a single piece of food in stage 5. It's one thing if the game is always stingy in that respect or if the difficulty and item scarcity gradually increase, but it's such a sharp spike from stage 4 to stage 5 that it feels like a design flaw rather than a natural progression of difficulty.
The Castlevania Adventure Rebirth is a fantastic Castlevania experience on Nintendo's Wii console and one that probably got overlooked by a lot of fans of the series given the (unfair) negative reputation the Wii and its WiiWare service had, and that's their loss. The inclusion of three different difficulty settings and adjustable life stock (up to 9) as well as unlimited continues and the ability to select any previously cleared level if you need to start again later also make it the most approachable 2D Castlevania game for players of all skill levels. At only 1000 Wii points ($10), it's well worth the price of admission and a great way to kill a few hours vampire hunting. Tight controls, great music, and pleasing visuals make this a must-have for Wii gamers and Castlevania fans like.
My Rating - 4 Neps
I'm Mr. Deck
And I like to play video games. I like to collect video games. I like to talk about video games, and I like to write about video games. During the day, I teach history at a high school in central North Carolina; during the night, I spend my spare time gaming. Then I write about it.